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dc.contributor.advisorsiddall, gillian
dc.contributor.authorpower, john jacques andrew
dc.date.accessioned2017-06-07t20:09:37z
dc.date.available2017-06-07t20:09:37z
dc.date.created2004
dc.date.issued2004
dc.identifier.urihttp://knowledgecommons.lakeheadu.ca/handle/2453/3273
dc.description.abstractin this thesis, utilizing the works of contemporary post-colonial critics and authors, i argue that poetry is a medium through which aboriginal women can reclaim control over the construction of aboriginal female identities. i also argue that language has played an important role in the history of colonization. firstly as a venue in which the colonizers could construct a perception of the world in which an ideological subjugation of indigenous peoples is not only appropriate, but necessary. second, as a venue in which indigenous writers can address the disconnectedness of the colonially constructed reality, and, lastly, as a space in which native writers can reconstruct history, the world, and aboriginal identity according to their own multi-cultural and individual perspectives. through close readings of poetry by three aboriginal women in canada, i argue that each poet’s active engagement with the socially constructed relationship between signifiers and signifieds allows them to re-codify the english language in ways that accommodate their own multi-cultural and individual perspectives.
dc.language.isoen_us
dc.titlefirst impressions : reconstructing language and identity in pauline johnson's "the cattle thief," jeanette armstrong's "indian woman," and beth cuthand's "post-oka kinda woman"
dc.typethesis
etd.degree.namemaster of arts
etd.degree.levelmaster
etd.degree.disciplineenglish
etd.degree.grantor阿根廷vs墨西哥竞猜


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